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, by Karl Ove Knausgaard

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Product details

File Size: 7702 KB

Print Length: 267 pages

Page Numbers Source ISBN: 1910701653

Publisher: Penguin Press (January 23, 2018)

Publication Date: January 23, 2018

Language: English

ASIN: B073NMQG8W

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#505,149 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I did not enjoy the book at all and would not have read all the way through it if not for my book club. The writer’s thoughts go from pipes to crows to q tips and on and on. This is not writings to his unborn child as much as writings about nothing in particular.

It's a book by Knausgaard. If you haven't read My Struggle, stop! Read it first, then this book will be even more relevant.

Knausgaard's profound meditations on everyday objects and occurances is unmatched by any contemporary author. With a remarkable poignancy and clarity Knausgaard turns the mundane into the extraordinary with poetic and enlightened prose.

Winter is fast approaching here in New England. It is 5 O'clock PM and outside my office window it is pitch black. Now seemed to me to me a good time to read Karl Ove Knausgaard’s daily meditations on Winter. Karl was born and raised in the south of Norway in Kristiansand. I thought Norway would have much snow in the winter, but when I read Karl’s meditation on snow, I found out I was wrong. The snow that does fall often quickly melts, to the disappointment of Karl’s children.It is December 6, Karl’s birthday, and he stays in bed a little longer than usual so that his children can bring in birthday presents to him and sing happy birthday. This birthday ritual is not so much for Karl, whose birthday no longer means much to him, but instead he wants to please his children. Family is important to Karl and he often shares his thoughts with us about his wife and children.In his meditation on chairs Karl tells us about the chair in Ingmar Bergman’s great film Fanny and Alexander where the father sits to read to his family. For those readers not familiar with this fine film, it begins at Christmas and shows us a well-to-do family enjoying the holiday. Karl reminds us about the associations we make when we remember some item of furniture in our house as we were growing up. Now I am thinking about the kitchen table where so many happy times were spent when all the family got together for an Italian Sunday afternoon dinner. My nonna (grandmother) frequently saying mangia, mangia (eat, eat) to me as she put more of her wonderful food on my plate. Karl’s book is a springboard for our own thoughts and reflections.I smiled as Karl talked about the mess in his house that his children made that he could do little to change. He was embarrassed when people came to the house and saw the disorder spread out around the rooms. I thought about my own daughters whose bedrooms often looked like a bomb had struck. It was dangerous to walk into those rooms with so much stuff strewn around on the floor. I learned to just shut the door and let it be.Often enough Karl waxes philosophic as when he is talking about God. He thinks that “Everything that is beyond reason is subsumed under God… A relationship exists, there is no language for it, and when we submit to God, that is what we feel, an unimaginable depth of feeling….” As readers, we may or may not share Karl’s feeling about our relationship with God, but I was most interested in what he had to share with us about his own thoughts on this important subject.Winter has spread out throughout the book several black and white pictures by Lars Lerin that did not impress me. I was given a review copy of the book and it may be that the final edition has pictures that are not as washed out and blurred. For me, these pictures added little to the value and meaning of the text.Winter is not a book to be read cover to cover, but to be dipped into from time to time when the mood strikes us and we want to connect with a talented and thoughtful writer who wants to share some of his life experiences with us. Karl Ove Knausgaard is famous for his series of novels called My Struggle, which is autobiographical in content. These novels have made Knausgaard famous and have been translated into 22 languages. I had heard of Knausgaard, but have not yet read any of his novels. Knausgaard is a fine writer who marches to the beat of a different drummer, and that is a good thing. He surprises us with his creativity and fanciful thinking; he is a writer with a poetic imagination and sensibility. I enjoyed both the style and content of his memoirs and will dip into this book from time to time as I live through another cold New England Winter.

Absolutely boring. Nicely translated bland and trite essays.

with Winter, knaussgaard has written an extended letter in the form of brief essays to his fourth child, his third daughter, covering a period from the third trimester in the womb to her birth. at first, i was content eavesdropping to hear what wisdom he had to impart. but knaussgaard’s meditative style quickly loses sight of the unborn as his audience of the future and, as his topics become digressive, what started out as a handbook of knowledge of the immediate world by a bit of pessimist for his daughter, snares a wider audience.his choice of things to write about, taken from sweden’s rural landscape, each one as if glimpsed out of the corner of his eye while gazing out the window as he sits at his writing table, snow, otter, crow, bonfires, nose, crows, bonfires, even windows, are part rumination and part lesson.what he says often smacks as suspiciously not true and close to being whimsical. in The Crypt, what knaussgaard has to say about architectural drawings which were never realized as projects seems to me to speak indirectly of his writing style:‘Since the art of narration is fundamentally about credibility, few stories are more difficult to pull off than counterfactual ones. While stories set in parallel realities or in the future are in principle entirely detached from events in our world, and in that sense are free, counterfactual stories are closely connected with them, and what they demand of us, that we disregard we know and let this massive and extensive knowledge weigh less than a single line of reasoning in a single book, is difficult to comply with. On the other hand, every single moment of life stands open in several directions, it is as if it had three or seven doors, as in a fairy tale, into rooms that all contain different futures.’for a while i wondered if he was a follower of the french thinker, jean jacques rousseau, and believed the child should, if not be inclined by nature and given lessons on the object of inclination by a tutor, glean lessons of nature from a handed down book, outside the school room. a handbook like Winter. he does share concern about the socialization with other children in a school. in several of his brief essays he writes of driving his children to school. in Setting Limits, he writes of the emotions that get the better of him as parent when his children test the limits he as a parent set for them. he describes the messiness of their household, and some of their more colorful neighbors. but then there are his digressions and the reflective passages on issues over which he’s pondered for a while, as found in The Crypt, and his collected essays here seem less like a pedagogical tract.i found his writing to breathe with simplicity, and his descriptions not weighed down with a lot of detail, which saves his subject matter, that being everyday living, from being boring. this is a book that can be read in a couple sittings. if this is his style throughout all his books, then Winter isn’t a bad introduction to knaussgaard’s writing.the norwegian born literary critic and feminist theorist, toril mori, refers to knaussgaard’s writing as addictive, i understand how it could be.

Winter by Karl Ove Knausgaard is a series of short thoughts, each a page or two long that the author has written to his unborn daughter. Who wouldnt want to get something like this from their parent? The author talks about the family, his memories and his thoughts on topics like heat for their house or toothbrushes that the family shares. The writing is amazing and the topics can be surprisingly deep or dark, considering the audience. But, one can only assume that the book is meant for later in the daughters life when her father's ponderings will be more meaningful and even a blueprint for how life can be, disappointments and all.Since the book is a collection of these short thoughts, it reads fairly quickly. But, just because each topic is short doesnt mean that it isnt insightful. While the stories about family life were interesting and sometimes amusing, it was the thoughts about death and disappointment in life that were more moving.I look forward to reading more of the earlier writings by the author for his daughter.

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